Baroque or Romantic: Which Era Should a Beginner Start With?
Most people start with Romantic music, because that is what "classical piano" sounds like in their head — Chopin, Liszt, Beethoven's slow movements. Then they stall.
We measured all 2,433 pieces in the library by era. The gap is not small.
The measurements
| Baroque | Classical | Romantic | |
|---|---|---|---|
| Pieces in the library | 552 | 254 | 1,532 |
| Median difficulty | 43 / 100 | 49 / 100 | 64 / 100 |
| Pieces scoring under 30 | 120 | 50 | 62 |
| …as a share of that era | 22% | 20% | 4% |
| Median pitch span | 46 keys | 49 keys | 56 keys |
Two thirds of the library is Romantic, and it contains half as many easy pieces as the Baroque section, which is a third of its size. One Baroque piece in five is beginner-playable. One Romantic piece in twenty-five is.
Why the Baroque is easier, concretely
It was written for smaller instruments. The harpsichords and clavichords of Bach's lifetime had a narrower compass than a modern piano, so the music physically cannot spread as far — a median span of 46 keys against the Romantic 56. That is the difference between fitting on a 49-key keyboard and not.
It was written for students. Bach, Couperin, Handel and their contemporaries all produced graded teaching collections, because that is how keyboard playing was transmitted. Whole books of short, complete, deliberately easy pieces exist. The Romantics wrote for the concert hall.
It has no pedal. Romantic writing assumes the sustain pedal holds the harmony while the hands move. Baroque writing holds its own harmony with the fingers, which is more honest work but a great deal less to coordinate at the start.
What the Baroque asks in return
Evenness. Baroque keyboard music is mostly two independent lines, and both of them matter — there is no melody-plus-accompaniment where the left hand can be approximate. If your hands are unequal, this music shows it immediately.
That is a feature. It is also why players who start here tend to have better left hands two years later.
Where to start in each
Baroque: the Anna Magdalena minuets, then Handel's Aylesford miniatures, then the Prelude in C. The full measured order is in the easiest Baroque pieces.
Romantic: ignore the famous names at first and go to the pieces written for children — Schumann's Album for the Young and Burgmüller's studies. Both are Romantic music with a beginner as the intended reader, and they are the reason the Romantic era's 4% is not 1%. See the easiest Romantic pieces.
And the third answer
The two easiest categories in the library are not eras at all. Folk melodies have a median difficulty of 0 and a median span of 13 keys; sacred tunes are at 3. If you have never played anything, start there, finish something this week, and then come to the Baroque.
Read next: the easiest Baroque pieces, the easiest Romantic pieces, and the easiest Classical-era pieces.